Maya Gonzalez
Pommegranate - 1994 - arylic on masonite
Switching Rabbits(Heart Like a Boat)- 2002 - acrylic on archival paper
The Love That Stains - 2000 - acrylic on masonite
 Death Enthroned - 2002 - acrylic on archival paper
Self Portrait between Life and Death - 2007 - acrylic on masonite
Releasing the Rabbit (Healing Through Series #4) - 2007 - Charcoal on Ink
Double Girl - 2008 - Ink on archival paper
Double Head Girl - 2008 - Ink on archival paper
La Malinche - 2008 - Ink on archival paper
Pink Chicana Buddha - 2009 - color pencil on archival paper
Girl Kissed by Sky Flower - 2005 - pencil on archival paper
Woman at the River - 2006 - pencil on archival paper
Girl with Family Tree - 2005 - color pencil on archival paper
Death in a Corset - 2006 - Pencil on archival paper
Turquoise Eye 2 - 2009 - pastel pencil on handmade paper
Bunny Bride - 2011 - acrylic on masonite
Skeleton with Many Wings - 2011 - ink on archival paper
Deer Heart - 2010 - pen and watercolor on archival paper
Letting Go - 2009 - ink on archival paper
Lift Me Up (Healing Through Series) - 2008 - charcoal and ink on archival paper
Death in a Corset - 2006 - pencil on archival paper scrap
Jaguar BirdGirl Annoited by SkyFlower - 2005 - pencil on archival paper scrap
Death Rattle - 2003 - pen and ink on book page
Virgin with Death Baby - 2002 - acrylic on tin from Mexico
Girlhood With Snake - 2000 - acrylic on masonite
Mayan Ball Gown - 1999 - acrylic on masonite
Pomegranate - 1994 - acrylic on masonite
When Ferms Dream - circa 1990 - watercolor on paper
Face Grows Long with the Conversation - circa 1990 - watercolor on paper
1999-1994 Artwork

This time period was very much about owning my cultural identity and continued with the themes of multidimensional reality and the expansion of consciousness that I began working with in 1986-93.

I moved to San Francisco to paint full time in 1994 and was deeply affected by living in an area where I was visible as Chicana and queer.

More about this time period can be found in my bio.


Themes:
cultural identity, multidimensional reality, exploring consciousness, death, sexuality


Symbolism:
the mule, european gowns, bridal imagery, veils, contrasting indooor and outdoor spaces, mudras and hand postures, angels, rattlesnakes, Mesoamerican imagery, skeletons, fruit, birds


Studying:
Gothic, Renaissance, Ancient Indian and Mexican art


About The Pomegranate:
Making screen prints for this piece was the catalyst for my journey with a long-term illness. You can read more in my bio.

Limited edition (run of 100) silkscreen/handpainted prints are still available for purchase via PayPal.

$300 unframed
$10 shipping

 

 

 

 

<<back to Artist's Statement

Below is a small sampling of work from 1999-1994

(A) = available pieces

Mula - 1999
Mula
Acrylic on Masonite
30"x42" - 1999

Mayan Ball Gown - 1999
Mayan Ball Gown
Acrylic on Masonite
22"x35" - 1999

Everything a Sacrament
Everything a Sacrament
(Woman with Grape)

Acrylic on Masonite
16"x22" - 1998

Lizard Bride One - 1998
Lizard Bride One
Acrylic on Masonite
32"x43" - 1998

Communion - 1998 Communion
Watercolor on Paper
6"x8" - 1998

Let the Snake be Unbroken - 1997
Let the Snake be Unbroken
Charcoal on Archival Paper
30"x22" - 1997

Ecstasy Burning Through - 1997
Ecstacy Burning Through (Woman with Veil)
Acrylic on Masonite
22"x17-1/2" - 1997

Woman with Rattlesnake - 1996 Woman with Rattlesnake
Watercolor on Paper
26"x31" - 1996

Dos Mujeres - 1995
Dos Mujeres
Acrylic on Masonite
42"x33" - 1995

Pomegranate - 1994
Pomegranate
Acrylic on Masonite
28"x28" - 1994
limited ed. screenprints (A) see info on right

Sunday Afternoon - 1994
Sunday Afternoon
Acrylic on Masonite
46"x33" - 1994